Digital Artifacts
DIGITAL ARTIFACTS
Reality is captured before it changes. Through 3D scanning, Lo Schiavo records fragments of the world encountered along his travels: ancient sculptures, objects and places, and the remains of structures marked by contemporary history, among them sites affected by the war in Ukraine. Each scan holds the physical form of its subject together with the memory and the cultural weight it carries.
The work moves past technical replication. Scanning becomes an act of preservation: what was bound to a single place and moment is lifted from it and rebuilt as image, where the object keeps its own story while entering a new one. What might have been lost is held in a form that endures.

Giuseppe Lo Schiavo, Kyoto in Rosy Retrospection, 2025
Wireframe

Giuseppe Lo Schiavo, Kyoto in Rosy Retrospection, 2025
92,3 x 120 cm, Ed. of 8+3 AP
Fine art print on archival cotton paper
Scanning becomes an act of preservation: what was bound to a single place and moment is lifted from it and rebuilt as image, where the object keeps its own story while entering a new one.


Giuseppe Lo Schiavo, Paris in Rosy Retrospection, 2025
92,3 x 120 cm, Ed. of 8+3 AP
Fine art print on archival cotton paper

Giuseppe Lo Schiavo, Afrodite e il Gallo, diptych, 2025
60 x 80 cm, Ed. of 8+3 AP
Fine art print on archival cotton paper

Every object here is a 3D scan of the real, gathered from the artist’s own life: a cockerel, flowers, his teapot, and a road with a tree brought down by a storm, scanned where it fell. The still life becomes an archive of things encountered and kept.

Giuseppe Lo Schiavo, Untitled in Rosy Retrospection, 2026
Fine art print on cotton paper


Giuseppe Lo Schiavo, Fragments of reality, Red Car, 2024
3D scan of a car captured on-site in Ukraine by the local people
Advanced 3D scanning technology is used to capture a wide range of artifacts, from ancient sculptures to objects shaped by contemporary events such as the war in Ukraine. This process provides digital preservation that protects not only the physical form of these items but also their historical and cultural essence, ensuring accessibility for future generations.

Fragments of reality, Red Car, 2024
Light test

Giuseppe Lo Schiavo, Fragments of reality, Red Car, 2024
Fine art print on cotton paper
195×130 cm, Edition of 4


3D Scan

Wireframe

3D model

Final image

Giuseppe Lo Schiavo, Fragments of reality, Buildings, 2024
Fine art print on cotton paper
115×155 cm x 3, Edition of 4
Amid the vivid colours of an autumn forest, the ruins of a bombed building are barely visible, as if nature were trying to cover their memory, or perhaps absorb them.
The destroyed structures, captured through 3D scanning from war-affected areas, blend into the yellows and oranges of the foliage, remaining visible only to a discerning eye.


Giuseppe Lo Schiavo, Untitled September, 2024
Unique piece

Giuseppe Lo Schiavo, Niobide Flowers
Fine art print on cotton paper
148,5×1110 cm, Ed. of 8 + 3 AP


Giuseppe Lo Schiavo, Niobide Wireframe
Fine art print on cotton paper
165×122 cm


